Attendees gathering at the annual GDC at Moscone Center in San Francisco. Photo by Marcus Siu.
Article and photos by Marcus Siu
You could feel the sheer excitement in the air surrounding San Francisco’s Moscone Center where exhibitor’s and attendees convened at the 2023 Game Developer’s Conference. It recently happened a few weeks ago from March 20th thru the 24th when the Games Developer’s Conference tied its pre-pandemic record of 28,000 attendees in San Francisco that was set in 2019, more than doubling the number of in-person attendees from last year at San Francisco’s Moscone Convention Center.
It was all about the return of the “in-person” experience, having the strong desire and necessity of connecting with one another. Whether it was at one of the many numerous and inspiring sessions that was going on all week, or in one of the populated halls on the expo floor with some of the biggest names in the gaming world, or at a social mixer networking party with peers and leaders in the games industry; everyone seemed eager to seek and discover connections and to gain insight within their craft.
It seemed as though the conference hadn’t missed a beat since the pandemic.
Sony PlayStation VR2 brought in some new demos at GDC2023. Photo by Marcus Siu.
For those who are unfamiliar with GDC, The Game Developers Conference® (GDC) is the world’s largest professional game industry event with market-defining content for programmers, artists, producers, game designers, audio professionals, business decision-makers, and others involved in the development of interactive games and immersive experiences. It also is the world’s largest and longest-running event serving professionals dedicated to the art and science of making games
All in all, GDC 2023 featured more than 1,000 speakers and 700+ sessions, workshops, roundtable discussions and networking opportunities. 330+ exhibitors were present to display their newest technologies, programs and services on the GDC Expo Floor, including industry leaders like Amazon Web Services, Adobe, Discord, Google, NEXON and more.
It was also a space for attendees to play and connect with the developers behind new and exciting independent games, including the finalists from the Independent Games Festival (IGF) and the alt.ctrl.GDC exhibit that is home to games that use alternative controllers like toaster ovens, giant oversized hats and others.
Attendees trying on the Meta Quest 2 and Meta Quest Pro VR sets. Photo by Marcus Siu.
When you walk in the entrance on the South Side, some of the biggest name in gaming with attendees waiting in line for a demo as soon as they entered the hall, including Meta and Sony. Unity and Unreal were to the left of them and had even bigger booths with lots of play space. In fact, many of the companies were not signing anyone up for demos because they filled up within the first hour after the expo opened. Sign ups were available the next morning, as soon as they opened at 10 am, but filled up quickly. What I noticed this year compared to previous years is that there are more companies are using VR/AR/MR/XR and smart glasses for immersive gaming.
WELCOME TO THE METAWORLD
At the Meta booth, they had four demos, including Demeo, Ironman, Among Us, and a Mixed Reality Fencing Prototype which is the one I participated in. I requested the demo that would make use of the Meta Quest Pro, their flagship VR goggles. Unfortunately, Meta was having some wi-fi or battery issues and it took awhile to fix, but when it worked, I had a blast in my ten minute slot sword fighting against my opponent on the other side of the wall.
My opponent quickly got up to ten points, and just when I thought it was over, I was quick to go for another ten rounds. I was able to come out victorious. Ironically, after meeting my opponent, I found out he used to fence in Finland. Not sure if I should try the real thing next time I’m in Europe.
A swordfight at the Meta booth. The player on the left actually won, even thought the player on the right was an experience fencer.
A Meta rep also was roaming around the booth and touting their new Meta-Ray Ban glasses. She had me put them on and told me that they can capture what you are seeing in real time. Meta’s first generation of smart glasses have built-in cameras, open-ear audio, and seamless social sharing. Sort of a POV for the user that is sharable to others.
I can imagine that people may not have rush out and shoot with their smartphones any longer, if they wanted to capture something spontaneously by the touch of their finger. I immediately thought that this would be a great way to monitor the world around us and share our experiences together, as it doesn’t necessarily need to be for game sharing purposes. Perhaps, it could cut down on crime, since we might all be wearing these on a daily basis?
Meta-Ray Ban glasses captures everything you see with a touch of a button at GDC2023. Photo by Marcus Siu
AUGMENTED REALITYISJUST NREAL
Another company that I was happy to see having a nice booth at the Expo Hall was Nreal. I was first introduced to them at the Augmented World Expo in Santa Clara in 2019 and wrote about them with their impressive augmented reality technology. This time, they were demonstrated their latest “Air” AR Glasses on laptops and smartphones, which reminds me of Google Glass, but has much better promise.
My first impression with these ultra-lightweight Nreal Air glasses, which could easily be confused as regular fashion sunglasses, is an amazing 201″ spatial display that gets casted from your device, whether it’s streaming from a game on the cloud, a compatible smartphone, or a iMac.
It has Micro-OLED panels and it is just has an amazing immersive display. As I put them on, I was looking at floating apps and browsers that I could select with my mouse, and be transported watching videos. Imagine watching Netflix or having a big screen for cloud gaming on the big screen anywhere you go.
NReal booth demos the Air Glasses at GDC2023. Photo by Marcus Siu
META’S MAIN COMPETITOR?
If there is a Meta competitor on the Expo floor, it would probably be Pico from China who made their debut at GDC. They had a nice booth showing the evolution of their hardware products over they years, much displayed like it would be at a VR museum, if there was one.
The release of their Pico 4 was getting some buzz on the floor, but didn’t get any official announcement when it would actually be released. This is probably due to the fact that their parent company, Bytedance, also owns TikTok, is still trying to settle with the Senate hearings.
What a great time to be a game developer! Here are a slideshow of a few scenes from the Expo floor.
It’s been nearly a year since Will Smith infamously slapped Oscar host Chris Rock live onstage at last year’s Academy Awards telecast after cracking a “G.I. Jane” joke aimed at Smith’s wife, Jada Pinkett Smith. It was indeed a surreal moment as the audience watched Smith laugh initially then turn to his wife who was fuming from the inside, got up from his chair to approach the stage and strike Rock.
Most of the audience thought that it was just “part of the act”, but when Smith returned to his seat and shouted expletives at Rock, they realized it was not.
Though the “teary eyed” and emotional Smith was allowed to return onstage to accept his Best Actor Oscar for “King Richard” after the incident, the Academy of Motion Pictures Sciences (AMPAS) decided a few weeks later that Smith would be barred from attending any Oscar ceremonies for the next ten years.
Months later, Apple TV announced a new movie called “Emancipation” to be released in late Fall starring Will Smith. At first, I thought it was about his documentary regarding his “freedom” from the Academy not having to attend the Oscars for the next ten years. Last weekend, Chris Rock premiered his Netflix special called “Selective Outrage”. “I rooted for Will Smith my whole life,” he said. “The other day, I watched “Emancipation” just so I could watch him getting whipped.”
All kidding aside, it’s a shame that had happened. It was one step forward for diversity, but two steps back. Or is it?
Sure, you can make a case there should have been at least more than two African-American nominees list this year for the acting categories. Viola Davis in “The Woman King” and Danielle Deadwyler in “Till” come to mind. You can also make a case that their directors from those films, Gina Prince Bythewood or even Chinonye Chukwu should have made the list in their category, even in a very competitive field.
Regardless of these omissions, the Academy is seems to be doing a formidable job of accomplishing its goals of diversifying the Academy since the #OscarsSoWhite movement eight years ago. They are clearly doing its best to continue its efforts in representing all groups, not just African-American filmmakers. If you look at this years nominations, it’s clearly diverse.
With four nominations, more Asian performers were recognized by the Academy in 2023 than in any single year in its history. In addition, Malaysian “Everything Everywhere All At Once” star Michelle Yeoh is only the second Asian best actress nominee in 95 years of Oscars history, with a strong chance of becoming the first winner.
After the embarrassing “Slap Heard Around The World” Oscars telecast like last year, we need a bit of comic relief. You can certainly bet our host for this year’s Oscars, Tonight Show’s own Jimmy Kimmel will prepare a lot of material that should keep us comfortably and uncomfortably laughing during the telecast. I can’t imagine a better host to open up the show and look forward to his monologue.
OSCAR PREDICTIONS
This may be the most difficult year in predicting the Oscars ever, but here are my predictions for the 95th Annual Academy Awards.
BEST PICTURE:
It’s been exactly one year ago, when this “mind bending” independent film “Everything Everywhere All at Once” had it’s World Premiere at the South by Southwest Film Festival on March 11th, 2022. Since that time, the film went on to become A24’s highest grossing film ever. It was re-released three times due to it’s popularity, including a one-night only at IMAX, and its re-release on January 27th thanks to a resurgence of interest for its leading eleven Academy Award nominations. It has won the top prizes from the Director’s Guild, Producer’s Guild, the Writer’s Guild, and won a record-breaking four awards at the Screen Actor’s Guild Awards. Though it lost at the BAFTA’s to “All Quiet on the Western Front”, the British Academy Awards, there is too much momentum for this film to lose at this year’s Oscars.
Everything Everywhere All at Once with Oscar nominees, Stephanie Hsu, Michelle Yeoh and Ke Huy Quan. Photo Credit: Courtesy of A24.
BEST ACTOR:
After watching Brendan Fraser in his heart-wrenching performance in “The Whale” as a 600 pound recluse, I was certain that was getting the Oscar. Fraser just recently won at the SAG awards, so we know at least a majority of actors loved his performance. However, the Academy didn’t embrace “The Whale” as much as they did “Elvis” with its eight nominations. “The Whale” was nominated for three awards, but wasn’t nominated as Best Picture or even screenplay.
I still keep changing my tune on my prediction for Best Actor even as I write, as picking Elvis starts to make more sense. The Academy loves bio-pics, and it’s rare to have an actor be able to portray someone as iconic as Elvis. Jamie Foxx played Ray Charles, Rami Malek played Freddie Mercury, and Renée Zellweger played Judy Garland and they all won the Oscar.
The extreme dedication of Butler for three years of his life is exemplary. As a method actor, he not only acted as Elvis, but embodied himself in his role as “The King”. He looked, sang and danced like him by watching tapes and films of him when production was down during COVID. He needed to be able to discern how Elvis talked and walked during certain periods of his career since they needed to shoot scenes out of sequence. He put posters and photos all over his wall during the shutdown when his co-star Tom Hanks, who played the Colonel caught COVID-19.
Even after the movie was done, he could not let go of Elvis, even as he went about promoting his film. He was Elvis 24/7 and still could not leave the King. He didn’t even see his family for three years because he was so focused on his role. What a hound dog!
This will be a tight race, but I think the “King” will live on.
AUSTIN BUTLER as Elvis in Warner Bros. Pictures’ drama “ELVIS,” a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures
BEST ACTRESS:
Another difficult category to predict is Best Actress, which is really a race between the two-time Oscar winner, Cate Blanchett and Michelle Yeoh. Even on a fair playing field, I probably would have leaned for Cate Blanchett for her performance as Lydia Tár, one of the most extraordinary performances that she has ever done, if not the best.
She has proven she can play just about anything, including Spazzatura, the monkey in “Guillermo Del Toro’s Pinocchio”. If there is a sequel to “Everything Everywhere All at Once”, the Daniels may want her to play a googly eyed rock, and she may get another nomination.
However, Michelle Yeoh, who gets her second Oscar nomination for “Everything Everywhere All at Once” since “Crouching Tiger, Hidden Dragon”, even with her hot dog fingers, can still just beat anyone up against her…and not just the music exit prompters at the Golden Globes. She is well loved not just in Hollywood, but globally, and the Academy would probably want to honor her the award, rather than give Blanchett a third.
She would also be a fitting tribute to honor the first Asian Best Actress Oscar winner as she has made a tremendous contribution to World Cinema during her lifetime. It would be fitting and iconic.
Maybe the U.S. mint she will issue her own coin one day.
Evelyn Wang (Michelle Yeoh) is an average Chinese mother who reluctantly becomes a superhero, jumping alternate worlds and absorbing powers to fight an evil villain. A24
BEST SUPPORTING ACTOR:
When Ke Huy Quan stopped getting roles after being a formidable child star working in movies such as Indiana Jones and the Temple of Doom alongside with Harrison Ford with Steven Spielberg directing, and a cult timeless movie classic called “The Goonies”, Quan believed the best was over. He stopped getting roles and decided to stop acting and work behind the scenes, notably with Wong Kar Wai as an assistant director. Nearly broke, he told his agent that he needed to work and found a role that he really wanted. The real life story of Quan is inspirational to any actor who was once in the spotlight and wants to return to it.
If there is any category that is the “sure thing”, this is it. He has won nearly every “Best Supporting Actor” award, with the exception of the BAFTA, in which Barry Keoghan won for his role in “The Banshees of the Inisherin”. I highly doubt Keoghan will repeat on American turf.
Hollywood loves a comeback story. Ke Huy Quan is the real deal.
Ke Huy Quan in EVERYTHING EVERYWHERE ALL AT ONCE. ALLYSON RIGGS / A24 / COURTESY EVERETT COLLECTION
BEST SUPPORTING ACTRESS:
This could be the category that will be most difficult to predict. Early in the Awards season, Angela Bassett was the frontrunner for “Black Panther – Wakanda Forever”. She won the Golden Globe and Critics Choice Award. However, the momentum shifted. Just recently, Jamie Lee Curtis won the SAG award and Kerry Condon won the BAFTA. I have a feeling that the Academy will split votes between Curtis and Bassett more in recognition for their life work as veteran actors and the Academy would still like to honor “The Banshees of the Inisherin” as an Oscar winner. This is the only possible category that it could potentially win. Condon most likely will take the award, and deservedly so.
One real mystery remains, however. Now that Will Smith is barred from the Oscars, who will present the Best Actress award to this years recipient?
MLS Entertainment’s Oscar Predictions:
Best Picture: “Everything Everywhere All at Once” Best Actor: Austin Butler, “Elvis” Best Actress: Michelle Yeoh, “Everything Everywhere All at Once” Best Supporting Actor: Ke Huy Quan “Everything Everywhere All at Once” Best Supporting Actress: Kerry Condon “The Banshees of Inisherin” Best Director: Daniel Kwan and Daniel Scheinert, “Everything Everywhere All at Once” Best Adapted Screenplay: Sarah Polley “Women Talking ” Best Original Screenplay: Daniel Kwan and Daniel Scheinert, “Everything Everywhere All at Once” Best Cinematography: “All Quiet on the Western Front” Best Costume Design: “Elvis” Best Film Editing: “Everything Everywhere All at Once” Best Makeup and Hairstyling: “The Whale” Best Music (Original Score): “All Quiet on the Western Front” Best Music (Original Song): “Naatu Naatu” Best Production Design: “All Quiet on the Western Front” Best Sound: “Top Gun Maverick” Best Visual Effects: “Avatar: The Way of Water” Best Animated Feature Film: “Guillermo Del Toro’s Pinocchio” Best Foreign Language Film: “All Quiet on the Western Front” Best Documentary (Feature): “Navalny” Best Documentary (Short Subject): “Elephant Whisperers” Best Short Film (Animated): “The Boy, the Mole, the Fox and the Horse” Best Short Film (Live Action): “An Irish Goodbye”
Continuing in March, you will be able to see the 2023 Oscar Nominated Short Films in theaters all around the country. The number of theaters have increased from previous years, so it no longer is necessary to drive fifty miles to the nearest theater like in the past.
Historically, the Live Action shorts and Animation shorts have always been much more popular than the documentary shorts, so before you know it, the short docs could disappear in a blink of an eye.
With the Netflix age, it’s interesting that many of these films are available for streaming. For example, if you have Netflix, you will be able to stream two of the Short docs now and stream the other two New Yorker doc shorts on YouTube and Vimeo. So, in theory, you can watch four out of the five short documentaries at home. This might have sounded implausible ten years ago before streaming became mainstream.
Just type in your location and find a theater playing the shorts near you.
Below are the five nominated documentary short films: three trailers and two shorts in its entirety.
‘Haulout’
UK/25 MINS/2022
Director
Evgenia Arbugaeva, Maxim Arbugaev
Synopsis
On a remote coast of the Siberian Arctic in a wind-battered hut, a lonely man waits to witness an ancient gathering. But warming seas and rising temperatures bring an unexpected change, and he soon finds himself overwhelmed.
STREAM ON THE LINK BELOW
‘The Martha Mitchell Effect’
USA/39 MINS/2022
Director
Anne Alvergue, Debra McClutchy
Synopsis
She was once as famous as Jackie O. And then she tried to take down a President. The Martha Mitchell Effect is an archival documentary portrait of the unlikeliest of whistleblowers: Martha Mitchell, a Republican cabinet wife who was gaslighted by the Nixon Administration to keep her quiet. It offers a female gaze on Watergate through the voice of the woman herself.
NOW STREAMING ON NETFLIX
‘The Elephant Whisperers’
INDIA/39 MINS/2022
Director
Kartiki Gonsalves
Synopsis
The Elephant Whisperers follows an indigenous couple as they fall in love with Raghu, an orphaned elephant given into their care, and tirelessly work to ensure his recovery and survival.
NOW STREAMING ON NETFLIX
‘How Do You Measure a Year?’
USA/29 MINS/2022
Director
Jay Rosenblatt
Synopsis
For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking the same questions. What results is a unique chance to watch time, to see a young woman come into focus physically, mentally and emotionally.
Not yet available to stream.
‘Stranger at the Gate’
USA/30 MINS/2022
Director
Joshua Seftel
Synopsis
From Executive Producer Malala Yousafzai. After 25 years of service, a US Marine filled with hatred for Muslims plots to bomb an Indiana mosque. When he comes face to face with the immigrants he seeks to kill, the story takes a shocking twist toward compassion, grace, and forgiveness.
The director Ondi Timoner with her father, Eli Timoner, in “Last Flight Home.” Photo: MTV Documentary Films
Last Flight Home, a documentary movie is available to stream now. Watch it on The Roku Channel, Paramount Plus, Vudu, Prime Video or Apple TV on your Roku device.
Article by Marcus Siu
Ondi Timoner’s” latest documentary, “Last Flight Home”, about her terminally ill 92-year old father, Eli Timoner, who wishes to end his life is one of those rare documentaries that will stay with you for a very long time. Though the subject matter may be a bit overwhelming for audiences to confront, it’s a compelling documentary that shouldn’t be missed.
Rewind back to the 1970’s when Eli was an entrepreneur, venture capitalist and business executive most notable for creating Air Florida. Unfortunately, he suffered a stroke at age 53 that left him unable to walk without the use of a cane. He was later forced to retire as there were no protection laws against disabled people back then. At the time, he was a loving father of three, and happily married to his devoted wife, Lisa, who took care of him for the last forty years until he was unable to standup on his own.
Eventually, Eli developed Chronic obstructive pulmonary disease (COPD) and became completely immobilized, helpless and confined to the bed. He pleaded for “death with dignity” which his family fully supported.
Luckily, a recently passed California End of Life Option Act gives mentally and physically capable terminally ill individuals the right to end their lives with medical aid assistance after a 15-day waiting period. The law that “allows a terminally-ill adult… to request a drug from his or her physician that will end his or her life,” as the UCLA Health website describes it. “People who choose to end their lives this way, and who carefully follow the steps in the law, will not be considered to have committed suicide.”
Eli Timoner, Elissa Timoner, Rachel Timoner, Ondi Timoner and David Timoner appear in LAST FLIGHT HOME by Ondi Timoner Photo: MTV Documentary Films
Ondi Timoner, a veteran documentary filmmaker of thirty years and two-time recipient of the Sundance Film Festival’s Grand Jury Prize (DIG!, WE LIVE IN PUBLIC) initially wanted to make a documentary based on her father’s life before he developed COPD. She was originally going to document the timeline from his days with the airline to when he got the stroke and how it affected the family. It was going to be fully scripted with Eli’s assistance and called “A Script of Genius”.
After Eli decided he wanted to end his life, the situation of Ondi’s project had dramatically changed course from being a scripted to a vérité style documentary, so the audience could feel the same emotions as the people on screen feel. The brutally truthful and profound film takes us on an emotional journey of ups and downs on so many levels, like a rollercoaster, that few other filmmakers have gone before.
“I didn’t intend to make this film”, Ondi acknowledged at a recent screening in San Francisco. “I was just really terrified at the prospect of losing my father. I couldn’t remember him from before when he had the stroke when I was 9 1/2 and couldn’t actually remember him able bodied before that…so when he said he needed to die…of course we we’re gonna support him”.
It was mandatory that Ondi document his final last days until his death. She wanted to capture his voice and personality so that she and her family could have that forever. Even with her family being accustomed to her filming them throughout the years, she still questioned herself as to why she was doing this and even questioned herself.
“I thought something might be wrong with me for this and also I thought maybe I was gonna be hurting my family by reading the experience.”, Ondi remarked. “I thought maybe I was trying to protect myself by putting a lens between myself and everything that was happening.” Her therapist who told her it was a terrible idea, but told her, “If you think you should film then you should film.”
After getting the green light from Eli, she strategically put multiple cameras just about everywhere around the house without being obtrusive so that everyone felt natural and not self conscious during the filming process. Obviously, it worked as we hear Eli telling penis jokes and talking freely about what he would personally do to ex-President Donald Trump if given the chance.
Even with Eli’s body weakening as the 15-day waiting period approached, he was still very lucid and intact even until the very end. Regardless of his handicap, he was someone you wanted to hang around with. It was easy to fall in love with this his sharp wit and good natured humor.
“You get to experience his choice from a very unique perspective”, Ondi remarked. “I think is a very important basic human right that we should have which is the right to die”…like abortion also…It’s a basic human right and we need to reclaim our right over birth and death in our country.”
Once you start watching the film, you’ll be hooked. Rather just being a fly on the wall, you will be invited into Eli’s loving family as one of them. You begin to realize it’s a love story revolving the power of human connection between a father and his close knit family with each family member having a slightly different way of coping with Eli’s death.
Rachel, the older daughter, who also happens to be a rabbi, split responsibilities in her dual roles. There are some very powerful moments with Eli who opened up and confessed his personal hidden guilts that he had kept secret over the years. It was perhaps the most concealing scene in the movie, as we find out what kind of genuine person Eli really is.
“Respect those you don’t know and love the ones you do.”
These simple but profound words did not come from a wise elderly Greek philosopher, but from Eli as he was giving life advice to his grandson surrounded by family members, with everyone knowing that he has only a few days left to live. It’s an especially poignant and touching scene, because those will be the last words of wisdom his grandson will remember him by.
As the 15th day approaches, he is ready to take the two-part oral medication that will end his life along with the plastic cups and straws that he held and practiced with that made it easier for him to take. Since there are strict laws that prohibit assistance from anyone other than Eli, we cringe and wonder if he will be able to succeed in taking the life-ending drugs. Everyone around him is rooting him on, almost like at a fraternity where social pressure urges you to down your alcohol.
To want to watch a movie about someone’s death might sound a little morbid to some, but when you meet everyone in his family, you realize it’s actually enlightening and life affirming. It’s also a rare permanent portrait of someone who will always be loved by his entire family and friends forever. The memories will never go away.
Lisa, his wife for 55 years has seen the film well over 600 times over the last two years and feels as though her husband is with her each evening as she watches it.
After screenings, many people have reached out and shared their similar experiences with Ondi confirming their loved ones that chose to die with dignity all had an “incredibly holistic peaceful experience.”
Death is very much a taboo subject, especially in the United States. No one really wants to talk about it until they are forced to. There are only ten states that allow the right to die, but Ondi believes this film can be used as a launching point to revisit these laws for the other forty states.
“As the days unfolded, I realized how essential it is that the right to die be understood as a basic human right. Our democracy was founded to protect our rights to life, liberty and the pursuit of happiness, and that must include autonomy and authority of our own bodies.”
It can be a blessing when you know how much time you have left. You can schedule loved ones to say goodbye and you can unload any burdens of guilt you may carry to leave the world more peacefully, regardless if you have a rabbi or priest in your family. You have more time to plan your bucket list.
Eli’s death by dignity was life affirming, if that makes sense. It was what he wanted and through the support and love of his immediate family, made it happen. Amazingly, I didn’t need a box of Kleenex, since I felt closure and feel that a renewed Eli is looking over his family from the friendly skies above, like he promised.
Just ask the peacock in the front yard of their house.
Rabbi Rachel Timoner with her father, Eli Timoner, in “Last Flight Home” Photo: MTV Documentary Films
Fire of Love – One of 15 deserving films to make the Oscar shortlist for Documentary Feature. Photo courtesy of National Geographic.
Article by Marcus Siu
At a time when Hollywood feature films continue to struggle at the box office, partly due to audiences staying away from the fear of catching COVID, but primarily due to mediocre product, with many of the studios releases going directly to streaming.
In contrast, feature length documentaries have held a fairly consistent degree of excellence throughout the pandemic, as most filmmakers are working indoors with a minimal crew. 2022 was certainly no exception.
Just last week, the Academy of Motion Picture Sciences (AMPAS) announced the shortlists in ten different categories, including Documentary Feature Film and Documentary Short Film for the 95th Academy Awards.
There were 144 films that were eligible in the Documentary Feature Film category and only fifteen could advance to make the shortlist. Members of the Documentary Branch vote to determine the shortlist and the nominees.
As expected, the winner of the Golden Lion for Best Film at the Venice Film Festival, “All the Beauty and the Bloodshed”, a portrait of artist-activist Nan Goldin, was nominated. The film is currently still playing in theaters.
The volcano crowd favorite, “Fire of Love”, which erupted on the film festival scene, and even getting a nationwide release with the summer blockbusters in multiplexes around the country also made the cut.
As usual, popular musical documentaries such as “Moonage Daydream”, a cinematic odyssey exploring David Bowie’s creative and musical journey, which also has the distinction of having the biggest grossing box office of all the docs, and “Hallelujah; Leonard Cohen, a Journey, a Song” also made the shortlist.
Many of the other films are still playing in theaters and have been collecting multiple awards at film festivals throughout much of the year. Some of them will be streaming very soon if not already, such as HBO’s “All That Breathes”, about two brothers who run a bird hospital in New Delhi, one of my personal favorites.
Another that should get attention, albeit, difficult to watch due to it’s subject matter, is “Last Flight Home”, which is about a bedridden father who wants to end his life with the full support from his loving and devoted family. It’s a deeply moving and poignant documentary about love, life, and the right to die.
The nominations for the 95th Academy Awards will be announced on Tuesday, Jan. 24, 2023, while the Oscars ceremony will be held on Sunday, March 12, 2023, at the Dolby® Theatre at Ovation Hollywood and will be televised live on ABC and in more than 200 territories worldwide.
Documentary Feature Film
The films, listed in alphabetical order by title and official trailer, are:
All That Breathes (HBO Documentary Films / Sideshow)
All the Beauty and the Bloodshed (Neon)
Bad Axe (IFC Films)
Children of the Mist (Film Movement)
Descendant (Netflix)
Fire of Love (National Geographic Documentary Films/Neon)
Hallelujah: Leonard Cohen, a Journey, a Song (Sony Pictures Classics)
Hidden Letters (Cargo Film & Releasing)
A House Made of Splinters (Madman Entertainment)
The Janes (HBO Documentary Films)
Moonage Daydream (Neon)
Navalny (CNN/Warner Bros.)
Retrograde (National Geographic Films)
The Territory(National Geographic)
Documentary Short Film
15 films will advance in the Documentary Short Film category for the 95th Academy Awards. 98 films qualified in the category. Members of the Documentary Branch vote to determine the shortlist and the nominees.
The films, listed in alphabetical order by title, are:
American Justice on Trial: People v. Newton Anastasia Angola Do You Hear Us? Voices from a Plantation Prison As Far as They Can Run The Elephant Whisperers The Flagmakers Happiness Is £4 Million Haulout Holding Moses How Do You Measure a Year? The Martha Mitchell Effect Nuisance Bear Shut Up and Paint Stranger at the Gate 38 at the Garden
I vividly remember the first time becoming totally immersed with an “Arthouse film” It was in 1992, in a little dinky hole-in-the-wall cinema in San Francisco. I sat there completely mesmerized watching, and as far as I can tell, a “near-perfect” movie, as every component of it’s filmmaking was simply superior in every aspect. The movie was “Howards End”.
The tiny theater consisted of less than fifty uncomfortable seats, but that didn’t matter much, as I was glued to how the the story moved along with Emma Thompson’s nuanced performance as Margaret Schlegel, a character I would never forget, along with the masterly Sir Anthony Hopkins.
The adapted screenplay written by Ruth Prawer Jhabvala of Merchant/Ivory fame resonated with me, that I inspired to seek out the original writings by the author himself, E.M. Forster. When everyone else was collecting Batman memorabilia, I was collecting anything “Howard’s End”.
The film went on the following year to win three Academy Awards, including Best Actress for Thompson. It also happened to be the very first Sony Pictures Classics movie ever released.
Thank you Sony Pictures Classics for not only for introducing me to “Howard’s End”, which was absolutely my “Best Picture” favorite from that year, but also to the countless movies that were released in the last three decades.
Over the years of festival going, I would flip through the programs as an active movie festival goer, always looking for thought provoking films, both domestic and international. If I see the name “Sony Pictures Classics” as the distributor, then I knew right off that it was going to be a high quality film.
I still can’t believe it’s been thirty years.
To commemorate, Sony Pictures Classics just released since their 30th Anniversary 4K UHD set and it’s a beautiful package. It is the perfect gift for that someone who not only collects 4K UHD movies, but who appreciates finely designed packaging.
One of my gripes of buying physical media is that more than 90% of the time, you just get an amaray case along with the paper insert and Blu-ray. I used to love collecting Digi books Blu-Rays in my collection. Here, you have a 24-page booklet, featuring an all-new essay from renowned film critic David Thomson about the history of Sony Pictures Classics, along with information about each of the included films and an introduction from SPC co-presidents Tom Bernard and Michael Barker.
This 11 movie box set includes iconic award-winning masterpieces from world-renowned filmmakers, unforgettable performances from global luminaries, and fan-favorite stories that have resonated across the years: ORLANDO, THE CELLULOID CLOSET, THE CITY OF LOST CHILDREN, RUN LOLA RUN, SLC PUNK, CROUCHING TIGER, HIDDEN DRAGON, THE DEVIL’S BACKBONE, VOLVER, SYNECDOCHE, NEW YORK, STILL ALICE and CALL ME BY YOUR NAME. Each film is presented in 4K resolution with Dolby Vision High Dynamic Range.
Notably, ten out of the eleven titles have never been released on 4K. (Only Crouching Tiger, Hidden Dragon was released in 4K) Also, the set includes hours of archival special features across the eleven films, plus a few newly added materials, rounding out this set.
It would be a wonderful present for the holidays, even if it’s just for yourself.
ORLANDO
Synopsis: Tilda Swinton and Billy Zane star in this hip, sexy and wickedly funny look at an English nobleman who defies the laws of nature and comes back to life as an English noblewoman.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English 2-Channel Surround DTS-HD Master Audio
Audio Commentary with Director Sally Potter and Actress Tilda Swinton
Select Scenes Commentary
Orlando Goes to Russia
Orlando in Uzbekistan
Jimmy Was an Angel
Venice Film Festival Press Conference
An Interview with Sally Potter
Theatrical Trailer
Optional English SDH subtitles for the main feature
THE CELLULOID CLOSET
Synopsis: Narrated by Lily Tomlin, this exuberant, eye-opening movie serves up a dazzling hundred-year history of gay men and women on the silver screen.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English 2-Channel Surround DTS-HD Master Audio
Audio Commentary with Filmmakers Rob Epstein, Jeffrey Friedman, Lily Tomlin, producer Howard Rosenman, and editor Arnold Glassman
Additional Commentary with Author Vito Russo
Collection of Outtakes
Interview with Vito Russo
Theatrical Trailer
Optional English SDH subtitles for the main feature
THE CITY OF LOST CHILDREN
Synopsis: From Jean-Pierre Jeunet, the director of AMELIE and DELICATESSEN, comes a fantastically twisted fairy tale chock-full of curious characters, spectacular stunts and unforgettable visuals.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
French 2-Channel Surround DTS-HD Master Audio
NEW Audio Commentary with Director Jean-Pierre Jeunet
Audio Commentary with Director Jean-Pierre Jeunet and Actor Ron Perlman
Making-Of Featurette
“Les Archives de Jean-Pierre Jeunet”
Interview With Costume Designer Jean-Paul Gaultier
Theatrical Teasers & Trailer
Optional English subtitles for the main feature
RUN LOLA RUN
Synopsis: A thrilling post-MTV, roller-coaster ride! Time is running out for Lola (Franka Potente). She’s just received a frantic phone call from her boyfriend, Manni (Moritz Bleibtreu), who’s lost a small fortune belonging to his mobster boss. If Lola doesn’t replace the money in twenty minutes, Manni will surely suffer severe consequences.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
German DTS-HD Master Audio 5.1
NEW Audio Commentary with Director Tom Tykwer and Editor Mathilde Bonnefoy
NEW, Making-Of Featurette
Audio Commentary with Director Tom Tykwer and Actor Franka Potente
Still Running Featurette
Believe” Music Video
Theatrical Trailer
Optional English subtitles for the main feature
SLC PUNK
Synopsis: It’s 1985 and Stevo is that rare animal: a punk rocker in the Mormon stronghold of Salt Lake City, Utah. He just graduated from college with honors and now his life is a nutty roller coaster ride of rock shows, stealing cars, beating up rednecks and non-stop partying with his buddy, Heroin Bob, and his girlfriend. But with the scene getting lame and Stevo going nowhere fast, he has to put his punk ideals to the test.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English DTS-HD Master Audio 5.1
NEW Revisiting SLC PUNK – a new interview with Director James Merendino
Audio Commentary with Director James Merendino and Actors Matthew Lillard & Michael Goorjian
Comic Book Gallery
Theatrical Trailer
Optional English SDH subtitles for the main feature
CROUCHING TIGER, HIDDEN DRAGON
Synopsis: An epic set against the breathtaking landscapes of ancient China, Crouching Tiger, Hidden Dragon combines the exhilarating martial arts choreography by Yuen Wo-Ping (The Matrix) with the sensitivity and classical storytelling of an Ang Lee film. The result is something truly unexpected: romantic, emotionally powerful entertainment.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
Mandarin Dolbv Atmos and DTS-HD Master Audio 5.1
Audio Commentary with Director Ang Lee and Writer / Producer James Schamus
Audio Commentary with Cinematographer Peter Pau
Introduction by Director Ang Lee
7 Deleted Scenes (in 4K HDR)
Crouching Tiger, Hidden Dragon – A Retrospective
The Making of Crouching Tiger, Hidden Dragon
English “A Love Before Time” Music Video
Mandarin “A Love Before Time” Music Video
A Conversation with Michelle Yeoh
Photo Gallery
Theatrical Trailer
Optional English subtitles for the main feature
THE DEVIL’S BACKBONE
Synopsis: His father killed in the brutal fighting of the Spanish Civil War, ten-year-old Carlos is sent to live at the desolate Santa Lucia School, now a makeshift shelter for war orphans. Soon after his arrival, Carlos has a series of seemingly supernatural encounters: strange shadows, voices and, most frightening of all, the apparition of a brutalized young boy. Turns out that Carlos is not alone in seeing these strange phenomena, many other children have experienced the “One Who Sighs,” as the entity has come to be called.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
Spanish DTS-HD Master Audio 5.1
Audio Commentary with Director Guillermo del Toro
Audio Commentary with Director Guillermo del Toro and Cinematographer Guillermo Navarro
Guillermo del Toro Introduction
Director’s Thumbnails Track
Director’s Notebook
Que es un fantasma? Featurette
4 Deleted Scenes with Director Commentary
Sketch, Storyboard, Screen – 6 Scenes
Making-Of Featurette
Summoning Spirits Featurette
Theatrical Trailer
Optional English subtitles for the main feature
VOLVER
Academy Award-winner Pedro Almodóvar (2003, Best Original Screenplay, Talk to Her) comes VOLVER, a comedic and compassionate tribute to women and their resilience in the face of life’s most outrageous tribulations. A luminous Penélope Cruz leads an ensemble of gifted actresses, including Carmen Maura (Women on the Verge of a Nervous Breakdown). Raimunda (Cruz) and her sister Sole lost their parents in a tragic fire years ago…or did they? Superstitious villagers claim that the girls’ departed mother, Irene (Maura), has been seen wandering around their Aunt Paula’s home. When Irene appears to Sole, she explains that she has returned to set right her daughters’ troubled lives and reveal shocking secrets that will impact everyone!
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
Spanish DTS-HD Master Audio 5.1
Audio Commentary: Director Pedro Almodóvar and Actor Penélope Cruz
Making of Volver Featurette
Interview With Pedro Almodóvar
Interview with Penélope Cruz
Interview With Carmen Maura
Tribute to Penélope Cruz
Theatrical Trailer
Optional English subtitles for the main feature
SYNECDOCHE, NEW YORK
Synopsis: From Charlie Kaufman comes a visual and philosophic adventure. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English DTS-HD Master Audio 5.1
The Story of Caden Cotard Featurette
NFTS/Script Factory Masterclass
Infectious Diseases in Cattle Roundtable
In and Around Synecdoche, New York Featurette
Theatrical Trailer
Optional English SDH subtitles for the main feature
STILL ALICE
Synopsis: Alice Howland (Julianne Moore), happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a diagnosis of Early-Onset Alzheimer’s disease, Alice and her family find their bonds thoroughly tested. Her struggle stay connected to who she once was is frightening, heartbreaking, and inspiring. Also starring Alec Baldwin, Kristen Stewart, Kate Bosworth and Hunter Parrish.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English DTS-HD Master Audio 5.1
3 Deleted Scenes
Directing Alice Featurette
Finding Alice Featurette
Interview with Composer Ilan Eshkeri
Theatrical Trailer
Optional English SDH subtitles for the main feature
CALL ME BY YOUR NAME
Synopsis: Amid the summer splendor of 1980’s Italy, Elio and Oliver discover the heady beauty of awakening desire that will alter their lives forever.
Special Features and Technical Specs:
4K RESTORATION OF THE FILM
DOLBY VISION/HDR PRESENTATION OF THE FILM
English DTS-HD Master Audio 5.1
Audio Commentary with Actors Timothée Chalamet and Michael Stuhlbarg
Snapshots of Italy: The Making of Call Me by Your Name Featurette
In Conversation with Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, and Luca Guadagnino Featurette
“Mystery of Love” Music Video by Sufjan Stevens
Theatrical Trailer
Optional English SDH subtitles for the main feature
Last month, I wrote about Kanopy, theaward-winning video streaming service provided to library patrons, who are able to stream for free just by having a library card that offers Kanopy as part of their services.
This month, its all about the “hoopla”.
Launched in 2010, hoopla is the digital service of Midwest Tape, a leading provider of entertainment media products and services: DVDs, CDs, audiobooks and shelf-ready solutions, to public libraries across North America for over a quarter of a century. Their purpose has always been to partner with libraries in delivering content to patrons in the most streamlined manner possible. Through the years, they’ve cultivated a growing passion for the evolving public library.
Hoopla, just like Kanopy, is a web and mobile (Android/iOS) library media streaming platform and library funded service, completely free to their patrons. Patrons of a hoopla sponsored library have access to its collection of digital media.
What distinguishes hoopla compared to Kanopy is that it lets you have access to not just movies and TV, but also for audio books, comics, e-books, and music. Considering how much audio books costs these days, it’s a great alternative than having to spend a lot of money and then leaving it on the shelf to possibly never listen to it again.
Hoopla pioneered a unique model that allows patrons to borrow content immediately, removing artificial availability constraints and maximizing the power of digital content and Internet distribution. Technologically, Hoopla focuses on the latest browser, phone, tablet, and TV products to deliver the best possible experience to the user, the public library patron.
For example, there is no waiting period for having to check out material. When you are at a public library looking for physical media, it may already be checked out already and you would have to put a reserve on it and wait several days or weeks for it. With Hoopla, since it’s digital media, you can check it out immediately with a click on your device.
Hoopla claims to have over 500,000 content titles across six formats. As of November 2016, Hoopla’s content comprised 35% audiobooks (for which Hoopla has contracts with publishers such as Blackstone Audio, HarperCollins, Simon & Schuster Audio, Tantor Audio, and others), followed by 22% movies (for which Hoopla has motion picture contracts with publishers such as Disney, Lionsgate, Starz, Warner Bros., and others), 19% music, 12% ebooks, 6% comics, and 6% television.
You can borrow and enjoy audiobooks, eBooks, comics, movies, TV, magazines, or music everywhere you have a screen-your computer, your phone, your car, even your TV. All you need is a library card. hoopla syncs across all your devices, so you can stream titles immediately or whenever you’re in the mood. Most titles can also be downloaded to your phone or tablet. hoopla offers more content, in more places, than any other digital library platform and it’s all FREE thanks to your public library! Titles may vary based on library catalog.
This is all you need:
Tablet, smartphone, computer, or TV with streaming capabilities
Email address and password
Library card number (only needed one time in the registration process)
Hoopla Digital app or updated browser software (e.g. Chrome, Firefox, IE, Safari, etc.)
Step 1: Register for a free Hoopla Digital account.
Go to hoopladigital.com and click on the blue Get Started button. (You may also use the free Hoopla Digital app to register. The registration process is similar.)
Step 2: Enter your information.
Enter your email address and create a new password. Review Hoopla Digital’s terms and conditions and click on the Agree button. Once your account is verified, you will need this email address and password to sign into Hoopla Digital.
Step 3: Choose your associated library.
Your associated Library may appear in the list of nearby libraries. If your public Library doesn’t appear in the list, type it in the search box.
Click on the Next button to continue registering.
Step 4: Enter your library card number.
Type your library card number – without spaces – in the box. Click on the Sign Me Up button.
NOTE: If your library card number ever changes, you will need to update your Hoopla Digital account at Settings > Library > Library Card Number.
Step 5: Start using Hoopla Digital.
You’re done! You will now be automatically signed into Hoopla Digital. If you need to sign into Hoopla Digital in the future, use the email address and password that you registered in Step 2.
Using Hoopla Digital
If you are a first time user, download the free Hoopla Digital app from your device’s app store. The most commonly devices are listed below. If you are using your laptop or desktop computer, all you need is a current web browser and the Widevine plug-in (see What is Widevine?).
Borrowing Titles
How does it work?
Library cardholders are allowed to check out 30 electronic items (e.g., eAudiobooks, eBooks, eMusic, eVideos) per month. There are no late fees. Once your item has expired, it will no longer play on your device. Check out periods are as follows:
eAudiobooks – 21 days
eBooks – 21 days
eMusic Titles – 7 days
eVideos (Movies and TV Shows) – 72 hours
How do I borrow a title?
Click on a title you like and then click the blue “Borrow” button.
Can I place a hold on items?
There is no need for holds with Hoopla Digital. Every title in its collection is available for check out 24/7. This means that if 200 library users want to check out a particular title, all 200 users can check it out without waiting.
Are titles downloaded onto my device or computer?
Titles can only be downloaded to mobile devices via the Hoopla Digital app. Downloading to desktop computers and laptops is not permitted, due to studio or publisher restrictions.
Can I renew a title?
Yes. The option to renew appears two days before the end of the borrowing period (21 days for eBooks, audiobooks, and comics, 72 hours for movies and television, and 7 days for music). A button will appear on the title screen with the option to renew the title. At this time, you can only use the renewal feature at hoopladigital.com. Please note that a renewal is the same as a new borrow, so a renewed title will count against your monthly limit (30 per month).
Kanopy is an award-winning video streaming service providing access to more than 30,000 independent and documentary films ─ titles of unique social and cultural value from The Criterion Collection, The Great Courses, Media Education Foundation, and thousands of independent filmmakers.
Article by Marcus Siu
It’s astonishing to know that there are so many people don’t even flinch an eye when they pay nearly $100/month for premium streaming channels. The channel’s exclusive “must-see” TV shows have these consumers hooked. For example, Apple Plus has “Ted Lasso”, HBO Max has “Succession”, Netflix has “Stranger Things”, Amazon Prime has “The Marvelous Mrs. Maisel”, Disney Plus has “The Mandalorian”. The exclusive list of titles is endless, and if you want access to all the top quality shows, you will pay the price.
However, if you don’t fall in that category as these “must-see” TV viewers, and just want to mainly watch indie, international films or documentaries, then it is is refreshing to know that you have another alternative out there for video on demand streaming platforms streaming quality content. Whether or not you are someone who simply cannot afford to pay for premium services, or just a film scholar in college who loves to watch and study film, Kanopy, comes to mind as the best choice for “thoughtful entertainment”.
Kanopy includes partners with filmmakers and movie studios around the globe to give movie-lovers free access to films that stimulate imagination, promote learning and spark meaningful conversations. Many films on Kanopy—including from iconic suppliers like the BBC, NEON, Samuel Goldwyn Films, HISTORY, A&E, First Run Features Kino Lorber and IFC Films—are unavailable elsewhere. The Criterion Collection, A24, and Neon is also showcased.
An ever growing list of content partners continue to be added to Kanopy, including BBC, A&E, and Neon.
As an frequent film festival goer, I have missed out on many films that I could not see due to scheduling conflicts. Kanopy solves that problem by having many of these same films in their catalog that I regrettably missed at the festivals over the years available for video on demand. It is a blessing as many of these obscure titles were movies that I gave up on seeing long ago.
New titles are added weekly, so you never know what you’ll find. One title that caught my attention was also one that I missed at this year’s San Francisco International Film Festival; “Benediction”, a British film directed by Terrence Davies that played film festivals, and also had a limited release in June in the U.S. Even more surprising is that there hasn’t even been a release of the film on DVD or Blu-Ray in this country, only in the U.K.
Kanopy, founded in 2008, was originally an Australian based DVD distributor that marketed primarily to universities. In 2010, Kanopy moved to San Francisco, and offered its new streaming services to City and County libraries and Universities around the nation for their patrons. Now with over 45 million users, Kanopy is currently available through 4,000 libraries in 200 different countries. Chances are your local library is one of them.
If you belong to one of the 4,000 Kanopy library’s and have a card from one of them, it’s free for you just for being a card holder.
How can it be free, you ask? Just as libraries purchase books for their patrons to borrow, they also offer a variety of digital resources. Kanopy is able to provide its viewers with free access because the public library or university covers the associated costs, allowing patrons to watch for free, with no advertisements.
Kanopy can be played on a tablet, smartphone, or computer.
All you need is a tablet, smartphone, computer, or TV with streaming capabilities, e-mail address and unique password to create your Kanopy profile, a library card number and PIN/password, and the Kanopy app or updated web browser software (e.g. Chrome, Edge, Firefox, Safari, etc.).
Then all you have to do is go to Kanopy’s website to add your library card number and PIN/password. Once confirmed, you will be given a number of credits that you can use each month, depending on which library is entered. Some libraries give 10 credits per month and some give less, such as 8 credits. You can add multiple library cards, if you belong to different participating libraries, so it’s possible to watch a movie each day, if you have three or four library cards.
The Kanopy app is available on iOS and Android and all major streaming devices, including Roku, Apple TV, Android TV, Amazon Fire TV and Samsung Smart TV. In 2021, OverDrive acquired Kanopy to bring together the single most extensive catalog of premium content and the best-in-class user experience for video, ebooks, audiobooks, magazines and additional streaming media.
With over 30,000 titles to choose from, it would be tough to want to do anything else but watch movies all day. It can be very addicting.
Be warned that even couch potatoes still need to get out once in awhile.
Disney Original Documentary’s Mija follows Doris Muñoz and Jacks Haupt, two daughters ofimmigrants from Mexico, navigating their careers in the music industry. A moving love letter to immigrants and their children, this intimate debut feature by Isabel Castro captures the emotional and complex stories of Doris and Jacks for whom “making it” isn’t just a dream, it’s a necessity.
A DISNEY FIRST
It’s been a quite a musical journey for 27 year millennial old Doris Muñoz, the subject and protagonist of the latest Disney documentary feature film “Mija”, who appeared at a recent screening at the Roxie Theater in San Francisco along with the films Emmy-nominated director, Isabel Castro, who is also credited as the Director of Photography.
“Mija”, which literally translates to “my darling little daughter” in Spanish, tells the story of Muñoz pursuing her dreams of “making it” in the music industry while trying to sponsor her undocumented immigrant parents to gain legal status in the U.S. enabling them to reunite the entire family together. Her brother was deported back to Mexico six years ago.
“Mija” has the distinct honor of being the first “Disney Original Documentary”, which is “committed to pushing the boundaries in non-fiction storytelling by embracing new creative voices, approaches and styles in cinema”. The film is a sensible first choice as it fits that criteria with the Latino community, an ethnic group whose voice rarely gets heard in the media. On so many different levels, the film takes the audience out on an emotional rollercoaster, especially exposing the racial and cultural barriers of living in this country without having the benefit of being treated as a first-class American citizen.
The film had its premiere at Sundance in January, its theatrical run in August, and will be streaming on Disney Plus starting September 16th.
PERSONAL STORYTELLING
In contrast to her journalistic immigration documentaries that she directed for various media outlets, Castro was given more creative control and was able to shape the narrative story-telling in “Mija” that had limited her so much in the past. “As a teenager, I felt like there was a shortage of stories about what it meant to come of age as an immigrant or as the child of immigrants in the United States. I wanted to tell the kind of story I craved myself, as a Mexican immigrant, when I was figuring out my identity, family, and community.” Castro exclaims.
It’s her most personal film to date, which included and total cooperation and trust from with her subject, Doris Muñoz, along with her entire family and her musical cliental, even through the pandemic, which actually heightened their relationship even more.
“When I met Isabel, we clicked in a way that felt like we’ve known each other for such a long time. And that’s my gut feeling immediately checked out. I was like, already cool, like I could trust her with this, and I think that”, Munoz explained. “I didn’t have Big Sisters growing up and I felt like Isabel kind of really like became a part of our family. Her being a part of such intimate moments. And I felt like I had a big sister all of a sudden, you know, and I, I think quite transparent online.”
MUSIC AS A CAREER CHOICE
The film begins with Muñoz, buying party supplies at a local store in San Bernardino, which we later find out is for her own 26th birthday party that she plans to throw for herself. She explains that she is the “birthday queen” as we are shown footage of early family home videos from when she was a baby to where she is now. Lovingly raised alongside her brother by her immigrant parents and extremely proud of their Latina heritage, we see her singing at home, in church, and even playing the saxophone and the violin in high school. Through these clips, it becomes obvious that music was going to be her chosen path.
After graduating USC with a degree in music theater, Muñoz questions her unorthodox career choice of being a music manager. We see her trying to persuade her supportive but unconvinced parents that she is heading in the right direction career-wise to financially support herself. At the same time, we feel the conflict and tension in her voice as she tries to reason with her parents on the phone, as she now has to make critical adult decisions on her own that will shape her life and eventually her family from this point on.
A CAREER IN MUSIC MANAGEMENT
It soon pays off for Muñoz, as she began to reach out to other Latino artists using social media, such as Twitter and YouTube. She gets her big break with becoming the music manager for Cuco, a young teenage Chicano singer-songwriter music artist from Hawthorne, California. Within a year, Muñoz helped Cuco playing backyard BBQ shows to major music festivals, such as Coachella and Lollapalooza, eventually becoming an international sensation.
In one memorable scene, Cuco mesmerizes his Latino audience, who are also singing along to his lyrics as he seductively performs to them. The camera perfectly captures the mood with its colors magically blending its universe and adding to the ethereal quality of the moment, as well as showing us the power and intensity of those of the artist and audience that are reserved usually only to the musical elite.
From that point on, Muñoz never looked back as her career flourished with a new lifestyle that she never imagined; five star hotels, restaurants, travel all around the world, but most of all, financial independence…all for something she loved doing.
After Cuco and Doris parted ways, due to the pandemic that forced cancelling tours, she decided to create her own company, named “Mija Management”. She reached out to Jacks Haupt for who she also saw on social media. Like Muñoz, she was also an immigrant who wanted nothing more than to succeed as an artist with no turning back. Even with Muñoz being six years her senior, the two became like-sisters, with both having the same guilt of being the only U.S. citizen in their own family.
Just as the importance in a relationship between a documentary subject and the documentary director is to the film, the same could be said between the artist and the music manager when it comes to music. It’s all about gaining trust. Just like Muñoz has a trusting relationship with her family, she also does with the artists that she manages. With her growing reputation and success as a music manager, musical talent now pursues her instead of it being the other way around.
A CAREER AS A MUSIC ARTIST
Though she had the talent to be a singer herself when she attended USC, Muñoz preferred not to be in the spotlight but to be behind the scenes. It wasn’t until she had the opportunity to sing with Ed Sheeran, who asked her onstage to sing along to his hit single “Lego House” at a radio event during her sophomore year in college, that she ever did consider to become a singer and launch a solo career.
As soon as she started posting videos of herself performing on YouTube, they went viral. Even her musical heroes responded and gave her much encouragement and praise. Even more amazing is that it hasn’t even been yet a year since Muñoz decided to change career paths from being a music manager to a singer. It was a life transformation for her.
“It’s the best decision I’ve ever made. It was like when I finally made the decision, it felt like my angels, my ancestors, my guide, take everyone who’s been rooting for me up and around me”, Munoz continued, “they made the way, and like every door has been opening since”.
Now she is going by the stage name, Doris Anahí, she has her music on all the streaming platforms and already has a few Vevo music videos playing on YouTube. There will also be a soundtrack available for “Mija’, as well.
When asked during a Q&A at the Roxie Theater in San Francisco about her future plans, Castro answered, “I don’t know. I’ll give you a medium answer ’cause I can stay up here for two hours. Kind of unpacking my existential crisis.” Castro paused. “I’m constantly just navigating the different challenges that come along with storytelling spaces. I think I moved out of journalism to try to, you know, go into documentary. And now I’m kind of thinking about fiction”, Castro concluded. “I’m a mess”, as the audience roared into laughter.
With the overly enthusiastic audience and ovation at the end of the film, I believe we will all greatly anticipate and embrace her next film project, whatever it may be documentary or fiction.
Twenty years ago, on April Fools Day, a friend and I decided to play a joke on her soon-to-be husband. The plan would be for me to call him and impersonate someone who worked for a collection agency and tell him he owed money to them. I made the phone call to his home and disguised my voice in a manner that he wouldn’t recognize me. Since there was no answer, I left a voice message on his answering machine.
The next morning, my partner in crime and his soon-to-be wife said he was worried sick and couldn’t sleep the previous night. Feeling guilty, and feeling bad for the emotional duress we put on her fiancé, we eventually had to confess to him that this was just an April Fool’s joke before he had a nervous breakdown.
In a way, I guess you may be able to call this a “phone scam”, but without any true intent for monetary gain…just for a extra few laughs between friends.
However, if her fiancé was preyed upon by a very “seasoned” phone scammer today, he would have been an excellent prospect. Scammers nowadays are not only pretending they are from collection services, but also the IRS, Social Security, Medicare, retailers (Amazon or Apple), electric companies, phone companies, and even other for-profit organizations. They will call just about everyone with a phone number and will victimize anyone who picks up the phone and is willing to chat.
WHY ARE THERE SCAMMERS?
Ben Rothke web presentation’s “How to Avoid Being a Scam Victim when Your Phone Rings” was recently aired via webcast at the RSA Conference a month ago. He is a New York City-based Senior Information Security Manager with Tapad and has over 20 years of industry experience in information systems.
Rothke explains that scammers are not exclusively operating in third world countries but are operating even in some first world countries, too. It’s quite more lucrative for scammers in third world countries, who are normally living under poverty, where they can make a significant amount of money off just one scam with very low odds of being under the radar. The odds of being caught and prosecuted are even almost smaller, so in some ways they’re working with just pure impunity. Being a fraudsters in certain parts of the world can be quite profitable, especially attacking victims in affluent countries, such as the United States.
These are large organizations, highly structured scam operations and not just a one-offs. There’s management, cost enters, controls, IT, and even a security person, just like any normal companies have. These organizations are well run and highly efficient. American law enforcement is unlikely to be able to catch these scammers for a lots of reasons that are in their favor. International laws make it quite difficult. Jurisdiction is extremely difficult.
WHO IS THE TARGET?
“Older adults or are particularly susceptible to scammers for a lot of reasons as they see or they’re trusting. Grandparents are very giving – they’ve got unconditional love”, Rothke explains.
Rothke points out that scammers like to target the “not so tech savvy” elderly, who are generally more trusting, giving, unsuspicious and have a lot more time on their hands. They also feel very guilty about ending calls as they are accommodating to giving information out, which scammers adore.
This could easily be anyone’s mother or grandmother that they are taking advantage of. However, scammers are not just limiting this just to the elderly, but just about anyone who has a phone.
Recently in the news, an 82-year-old woman from Florida lost over $700,000 to scammers who convinced her that her granddaughter was in legal trouble and needed financial help. Over the summer, the woman, who was not identified, received a phone call from a woman claiming to be her granddaughter.
“It’s not just people who are who are clueless who are being victims I’ve had some friends professionals who became victims of these scammers”, Rothke declares.
If you know any elderly people who might be a prime target, it’s best to make them aware of scammers. Help them put controls on their bank accounts as a safeguard, even if they don’t do any online banking, and make sure they do not give out any personal information. Assure them that it’s okay to hang up on them, but most of all, let theses unrecognized calls go straight to voice mail, when possible.
HOUSE ADVANTAGEFORPHONE SCAMMERS
These are all unsolicited calls – calls out of the blue. These scammers are willing to say anything and persuade the unprepared victim in giving them personal information, such as their bank, credit card, medical number, and just about any personal information that they can sell or use.
They will certainly pressure you with a deadline offer at the end of the call, with absolutely no callbacks allowed. Even if you tell them that you want to “think about it” and consult with your spouse, children, friends, or even lawyers, their tactic is to say once you hang-up, the offer is void. If they pressure you that there is a deadline, it is most likely a scam.
Rothke states, “the last thing they want you to do is think about it, because if you think about it and go to Consumer Reports, Better Business Bureau, or to speak to a spouse or a friend, you’re gonna know it’s a scam.”
Many times, spammers will even “spoof” their calls. For example, they will be able to make your caller ID look like it’s from the same area code and prefix, so it look like a legitimate local call that you would normally pick up. You may think it’s your doctor’s office or your mechanic.
If you do pick up the call, but still somewhat suspicious about it, it’s a good idea to ask your caller where exactly they are calling from. If they say they are from the same city you are located in, you should inquire about the streets or neighborhood where they are located to get a sense if they are really local or just lying through their teeth, which is usually the case.
“They’ll e-mail you, maybe they’ll text you, but very few legitimate businesses are calling people. Medicare doesn’t call people to sell them things. Amazon is not calling you, your electric company is not, so you know the fact that you’re getting an unsolicited call should put your guard up right there because they said if you get a cold call in 2021 almost certainty you know that it is a scammer on the other line”, Rothke concludes.
TOP PHONE SCAMS
AMAZON:
The Amazon-scam robocalls tend to start with someone saying there has been suspicious activity on your account, and then asks you to press 1 or call another phone number. Next, the scammer may ask for your Amazon account information. Or he may ask to help you by taking over control of your computer via software that lets him gain access to your credit card, banking and other sensitive information — so he can steal your identity and your money.
Recently in the news, a Rocky River man lost over $124,000 after two men claiming to work for Amazon convinced him his personal account was in danger and that he needed to move his money to a newly set up account. The resident told police he received a call from two men claiming to be from Amazon security who advised him that an unknown person accessed his personal account and had tried to charge $900 to it. The men, still identifying themselves as security, helped the resident set up an online account and attach his bank account to it. The men convinced him that he needed to move his money to the new online account.
It’s better to contact Amazon directly, if you have questions concerning your orders.
SOCIAL SECURITY ARREST WARRANT
Scammers posing as Social Security employees will claim your Social Security number was used for some illegal activity, such as bank fraud or drug trafficking, and that there’s a warrant for your arrest. They will threaten to freeze your bank account or 401k’s and ask you lots of personal and financial questions to determine how much they can scam you for.
It’s best to call Social Security directly to verify anything this serious.
CREDIT CARD INTEREST RATE REDUCTION SCAM
You get an unsolicited automated call from “card services” or a major credit card company promising to secure you a reduced APR and lower credit card interest payments. All they do is transfer your credit card debt to a new account and charge you 40 to 60% fee for that service up front. They will even mention the Restructuring Act from the Obama Administration to make it sound more credible.
These scammers would convince their victims to request wire transfers from Western Union, MoneyGram or even gift cards, which are non-traceable for something. Legitimate companies never ask you to wire money.
It’s against the law for debt-relief services to collect payment before they have done anything for you. Also don’t trust the company if the offer expires after you hang up.
EXTENDED AUTO WARRANTY SCAMS:
Scammers will offer extended auto warranty, but in reality, it’s not a warranty, since only the manufacturer can issue a warranty. What you buy at the dealer or from a third-party are extended service contracts (ESC), also known as “Vehicle Service Contracts”, which gets you a policy, but no coverage. They are worthless and should be avoided at all costs. If you believe it is legit, then you should call other dealers and inquire about these ESC’s.
SENIOR HEALTHCARE SCAMS
With over 50 million people seniors signed onto Medicare, there are even more scams targeted among the elderly to be concerned about. Medigap, drug or Advantage plans are used to enroll seniors into fake plans, identity theft, purchase of expensive and overpriced medical equipment, using high-pressure scare tactics like problems with your Medicare account, in which case they will ask for your ID number and bank/credit card details to fix it, which would make it easy for identity theft.
ELECTRIC AND ENERGY SCAMS:
Scammers will claim they are from your local energy supplier and say that you are on a commercial plan that needs to be moved to a lower-rate consumer plan. Given the unfamiliarity of kWh (kilowatt-hour) rates by most people, it makes it easier for scammers to say that money will be saved, but rates you’ll be charged will most likely be quadrupled. By the time the bill comes in 6 to 8 weeks, it will be too late, and they are stuck to pay for these exorbitant charges.
SOLAR ENERGY:
Solar seems like a no-brainer, so why wouldn’t anyone want to invest in it? Leave it to the fast talking salesmen scammers of Solar Energy to make it simple with no out of pocket expenses and install low quality solar panels. But with not knowing how the bills are processed, how the meters are read, and what you’re paying for. By the time you get your bill it could be two to three months into the scam.
In addition, they they know a lot of people like auto-pay, since it’s just much easier to have your monthly bill debited from your account. People like to go into paperless so they could go on for a few months and not to have to think about it. When their account overdraft kicks in four to five months later, they realize that they have overspent a lot more than they expected.
TRAVEL AND VACATION SCAMS:
Scammers will offer a free vacation, but the customer will still have to pay for a a reservation fee or some other fee that they claim will be worthwhile. For example, if the fee is $1000, then you will be getting $6000 worth of amenities, when all you will get are worthless travel certificates.
FUND RAISING FOR-PROFITS PAC’S
Political action committees (PAC’s) try to pose as legitimate charities, but are not. They capitalize on name confusion to deceive you. These companies enrich themselves at the expense of the donating public. “Americans for the Cure of Breast Cancer”, “Orphans Fund Diabetes Network of North America” are examples of 501(c3) charities. These PAC’s misled donors as to where their funds would go and what they would be used for. Of course, none of these would give you a tax deduction.
PHONE AND CABLE SERVICE
Just like electricity and energy scams, phone and cable scammers will claim to be from your current cell provider and promise you lower rates. They will attempt to get for your account information, since they won’t have it and then switch you to a different and more expensive provider.
BASIC RED FLAGS TO LOOK FOR:
Scammers won’t let you call back. They will say once you hang up, the offer will expire. No legitimate salesperson/businesses do this. They are using pressure tactics. Just because they called you doesn’t mean that you have to accept the offer.
Don’t make payments by gift card, prepaid debit card or wire transfer. Fraudsters favor these methods because they are difficult to trace.
Don’t give personal or financial data, such as your Social Security number, Medical, bank account or credit card account numbers, to callers you don’t know.
SAFEST SOLUTION:
Do not to answer the phone if you don’t recognize the phone number. If it’s a legitimate call from your doctor, mechanic or a friend (not in your contacts list), they will leave a voice message if it’s important enough. If you do answer the phone, don’t press any numbers based on prompts on the suspicious robocall. Just hang up.
REVENGE SOLUTION:
If you want to be a rebel and mess with the spam caller and and want some vendetta, my suggestion is to take the call and speak to them for a brief moment showing genuine interest in whatever they are selling. Then abruptly cut the conversation short and say “I need to put you on hold because someone is at the front door. Can I put you on hold for a moment?” As soon as they agree, put them on hold until they eventually lose patience and hang up.